![]() ![]() Also, this book was one of the primary sources behind the In Wonderland exhibition and catalog, which is unsurprising considering that she was one of the curators/contributors to the catalog. Chadwick makes the distinction that these were women who were at one time affiliated with Surrealism in some capacity and had careers that were not reliant on Breton or Surrealism). My anticipation was framed by two factors: Women Artists and the Surrealist Movementwas the first comprehensive look at the women artists associated with Surrealism (notice that I don’t say “Surrealist women artists,” as not all of the women in the book considered themselves Surrealists. I have to admit, I was not nearly as impressed with this book as I thought I would be. I didn’t have time to be anyone’s muse… I was too busy rebelling against my family and learning to be an artist. (Leonora Carrington) ![]()
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